#technically I could post about the characters separately

[onelastride]

oooo post ur modern au. U wanna post it soooo baddddd

The thing is…you’re absolutely right, I do. But, another thing is that my “modern au” isn’t actually “mine”. It’s actually shared between my sister and I, and she’s the writer out of us so she has the story mainly. It’s also not, well, ‘made’ like an average au so I can’t really just explain it.

Maybe one day I’ll make my own separate modern au I could actually post about, but I’m still obsessed with the characters and concepts we made together, so I can’t really post in-depth about it. T-T

Sorry for the disappointing answer :(

[kumakuma-circus]

just randomly remembered that during my like 10+ attempts at the shadow yukiko fight i more or less consistently ran out of revival beads so yosuke was just dead (well unconscious but whatever) on the ground for like half the fight gfhfjvhfhfhd-

[nightsandreala]

Thinking about if Reala’s design and personality were partially inspired by heels in wrestling 🤔

He is an actual villain unlike heels but I know it’s a pretty common fan theory that before NiGHTS rebelled, they would take the “friendlier” role while collecting Ideya, befriending the visitors and helping them regain their Ideya, and then Reala comes in and Gets Them™, so he portrays a villain within their specific Ideya-collecting act (and I guess NiGHTS kind of does too once the overall plan is revealed but yk)

I was wondering why he was designed with muscles- it’s probably just to better distinguish him from NiGHTS’ daintier and more elegant design and establish him as an antagonist but I feel like he does that well enough even without muscles, so I thought this could be a cool explanation idk

[thefirstpaleontologist]

tbh you can have a fanonised version so long as you remember and recognise that it is separate to the canon character. Like if you’re talking about a character and someone brings up a canonical trait/aspect/thing they did then you can’t then be like ‘no actually because the version of the character in my mind isn’t like that/would never do that’ because at that point you’re talking about a different character

the key to not fanonizing your faves is to simply become academia-brained about it. never make a statement about a character you can’t back up with at least three references to the source material

[nubisaureus]

how they react when you slip out of their arms

how the genshin boys react when you try to get out of their arms in bed because it's hot

character(s): Tighnari, Diluc, Zhongli

pairing(s): fem!reader x Tighnari, Diluc, Zhongli (separately)

content: fluff, established relationship, clinginess, cuddles, sleeping in the same bed, silliness, a touch of angst, suggestive language?

a/n: please bear with me, I'm still trying to find a formatting that I like, as I'm very new on this site. So my apologies if the posts are formatted differently every time!

It's also my first time writing for Tighnari and Zhongli, so please let me know what you think <3

not proofread

That being said, enjoy!✼　

┍━━━━━━━━━━━»•» 🌺 «•«━━━━━━━━━━━┑

Tighnari

It had been a hot day. Not in the way one may be thinking of though. Hot as in, scorching hot. The sun had been mercilessly beating down in the Avidya Forest, resulting in a humid weather that had been sucking the absolute life out of you.

One would also think that the night would be cooler, and technically, it was, if it wasn't for your boyfriend's tail, wrapped around you as an almost third arm, mimicking his actual arms that were hugging you close, making you sweat because of the weather.

You carefully slipped out of the hug, finally breathing some fresh air, and slightly moved out of Tighnari's reach, desperately looking for the colder side of your pillow.

«Mh...?» Tighnari's groan suddenly alerted you, and that was soon followed by his tail wiggling around, only to curl around air.

«[name]?» he called, still half lidded.

You freaked out: you didn't want to tell him the truth, so you pondered whether to pretend to be asleep or confess.

He opened his eyes, staring at you.

«Oh, there you are.» perking up at the sight of you, he kept staring. «Is.. everything alright?» he then continued, concern finding its way on his features.

You looked away, ashamed.

He gently grabbed your chin, redirecting your gaze towards him. «Hey. Talk to me. What happened?» he continued, even more concerned.

You sighed, not able to bear his concerned face. «I..was just hot, Nari. Your tail is very warm, and it's lovely in winter, but in this season..it's rather uncomfortable. I'm sorry.»

He sighed. «You could've just told me, you know.» and moved his tail out of the way, putting it behind his back. The bed now felt much cooler, and you felt like you could breathe again.

He then looked at you, dead serious.

«What is it now???» you were on the defensive.

«You're obligated to cuddle now.» he said with the best poker face you had ever seen.

You gasped at how he could look so serious while saying the silliest stuff, and got closer to him.

His arms sneaked their way back to your waist, and you rested your head on his chest, inhaling his scent, that was so familiar to you by now, yet so foreign at the same time.

«Goodnight sleepyhead.» he kissed your hair.

«Goodnight, Nari.»

──────────────────────────────

Diluc

Despite Mondstadt being the city of the wind, it seemed like Lord Barbatos hadn't been very benevolent on his citizens as of lately. And that came in the form of hot wind that, combined with the hot weather of the season, had led to many restless nights.

Tonight was no different. Despite the bed being more comfortable than the one at the Knight's Headquarters, Diluc's presence made falling asleep an arduous task.

Not only because you had been staring at him for the past 10 minutes or so, his relaxed face a sight that you wanted to cherish as much as possible, but the connection he had with the Pyro element made him rather unfit for the current weather.

It also didn't help that he had forgotten to take his Vision off, and so he was even more in contact with the Pyro energy imbued within it, and you couldn't do anything about it. (a/n i have this headcanon where only the owner of a Vision can freely move their Vision around).

You were uncomfortable. Actually, uncomfortable couldn't even begin to describe it.

What to do..?

His arms were tightly wrapped around you, as if he was afraid to lose you any second, but you couldn't take the heat anymore, so you carefully slipped out of his arms, standing up and stretching your body.

You walked all the way towards the open window facing the beautiful vineyards of Dawn Winery, letting the cool breeze of the night caress your features. You closed your eyes and took a deep breath, savoring the quiet atmosphere all around you.

After a few moments though, you heard rustling coming from behind you.

«[Name]? [Name]! Where are you?» the slight panic in Diluc's tone alarming you, you rushed back to the bed.

«Diluc. I'm here.» you climbed onto the bed, making your way to his side once again. He held you close, and you could feel his pounding heartbeat calming down.

«You scared me, [name]. Why are you up so late?» he inquired.

You blushed, your cheeks threatening to become redder than his hair.

«I was..hot. You forgot to take your Vision off last night, and I obviously can't do it in your stead. But you looked so peaceful, I couldn't find the courage in me to wake you up. I'm sorry..» you looked at him, his expression turning into one of guilt, only to turn soft as you finished speaking.

He took his Vision off, setting it on the bedside table.

«I'm sorry I forgot to take my Vision off, love. Next time though, wake me up. I don't want you to overheat and potentially pass out, especially in this hot weather, okay?» he looked at you, waiting for a confirmation that you had received and understood his words.

«Alright. I will. I promise.» he smiled gently, opening his arms again, beckoning for you to claim your place back.

You gladly took the bait, and snuggled closer, his temperature now that of a normal human being.

«Feeling better?» he asked, gently stroking your hair.

«Yes. Much better.» and you kissed him goodnight.

──────────────────────────────

Zhongli

It was a hot night in Liyue. Despite the rooms at Wangshu Inn being decently ventilated, you were feeling hot. Zhongli's massive body wrapped around you wasn't helping either.

You tried to wiggle around, but your boyfriend, true to his archon element, had a rock hard grip on you, and so you were effectively caught in his embrace.

You sighed.

«Zhongli..» you whispered, trying to wake him up so he would let go.

No answer.

«Zhongli.» you called further, a little louder this time, and his eyelids finally fluttered, signaling he had at least heard something.

You called him again, finally catching his attention, getting rewarded with his half lidded amber eyes looking at you.

«Yes, dearest?» his groggy voice sent shivers down your spine, momentarily distracting you from your thoughts, but you quickly got a hold of yourself.

«I'm too hot. Could you move a bit please?» you asked, getting rewarded with a giggle.

«But of course. You should've said that sooner, dear. Maybe you should also take a shower to cool down? This temperature is very demanding of one's body.»

You looked at him, confused.

«But I had a shower before bed, and besides, I'm not dirty, I don't want to waste water.»

He smiled mischievously, and abruptly changed your positions, pinning you down on the bed.

«Oh, we can change that rather quickly.»

[dystopyx-blog]

Hi hi hun! Hope I’m not bugging you but I’d love to hear your opinion on the yandere Twst boys and who is willing to share darling/me/Yuu. I see so much sentiment about yanderes never sharing/teaming up but I just don’t get it. Some characters have such tight friendships, or fill what the other lacks, that I see them working together so well! Like sure you could divide them by dorm, kinda obvious, but then there are other less thought of team ups that could be fun. I’ve seen on here what’s dubbed as the number 2 squad (Leona, Jamil, and Vil) and I think that could be a relatively healthy (maybe a little competitive) team up. Others that come to mind, Jack and Vil, music club, and the four house husbands (Trey, Ruggie, Jamil, and Jade). Like teaming up means darling always has SOMEONE watching them. One may be better at comforting/calming darling, while another is more sly and can manipulate them better. There’s just so many fun combos you could play with! I’d love to hear what you think!

Remember to take care of yourself. Drink water, eat a snack, and stretch! Have a great day! 😊

Ty for the lovely ask, darl’ 🥺

Okay! Let's start with the team ups within each house!

HEARTSLABYUL

Ace and Deuce -- obviously. They're your first friends in the school (aside from Grim, but he doesn't count), the only people they hang out with aside from you is each other. They bicker, but they also understand that it's more advantageous for them to work together. Ace still teases Deuce and I think both of them still Daydream of getting you to themselves, but you've taught them the magic of teamwork and, unfortunately, you taught them well.

Riddle and Trey -- Childhood friends. Like with what we know of their story, I feel that Trey in particular would be willing to share with Riddle. And they're pretty well balanced as a yandere team. With them there is no cut "good cop/bad cop." Yes, Riddle is strict, but he's also so very baby, yknow? With his raging mommy issues, I imagine he's the type who would love to be coddled by his darling. Trey is that older brother type, so of course he knows when and how to put his foot down, but he's also so so so sweet and gentle. Riddle is definitely more likely to dole out punishments, though.

Cater -- he doesn't need to teamup to have the power of numbers on his side.

All 5 -- Riddle doesn't just watch over you, but also the others lol. He creates a schedule and rules for the members of this yandere team to follow so they can work as a well oiled machine to care for and share you. Ace is the most likely to see you even when its not his scheduled time. Deuce is a suck up who always tries to earn your favor, VERY easy to manipulate and get favors from. Trey is very sweet, but incredibly difficult to manipulate. Cater is a schemer who would probably plan an escape with you to keep you to himself. And as I already said, Riddle is the one who keeps everyone in check.

SAVANNACLAW

Ruggie and Leona -- again, a fairly obvious one. Ruggie already works under Leona for table scraps, of course he'll work with him for you. Leona acts top dog in the relationship, and gets first dibs with you, but what that really means is that any time you're not with Leona, Ruggie is making up for lost time. Like in the Heartslabyul team up, Riddle makes sure to schedule breaks/alone time for you. You don't get that here, you are always with one of them. Your "alone time" is when Leona sleeps.

All 3 -- basically just Leona and Ruggie throwing Jack a bone (heheh). In this one you can technically get some sort of alone time, cuz if you talk it over with Jack, he'd be willing to give up some of his time with you to make sure you can rest up.

OCTAVINELLE

Octotrio -- or as I prefer, the seafood polycule. I already did a whole separate post just talking about them lol, but you got twins and childhood besties and they're also business partners, like these boys know how to work together and share.

SCARABIA

HA fuckin unlikely. Even if Jamil does have the patience to share a darling with Kalim, I just -- like I'd feel too bad to write it. Like let him have this one thing, I am not going to make Jamil share his darling with Kalim, ESPECIALLY because darling would probably cozy up to Kalim more because delusional sunshine yanderes are the easiest to manipulate.

POMEFIORE

Rook and Vil -- these two barely even need to verbally communicate, when it comes to their darling they are on the same wavelength, which makes them a formidable team up. Like they got systems in place that just happen naturally, no need to discuss. For example, if you run away, Rook hunts you, Vil punishes you. They just work.

ALL 3 -- Vil lets Epel join in so long as he behaves. Epel would be the easiest to manipulate, but Vil keeps the both of you in check. Despite Epel's negative feelings towards Vil, Vil and Rook can turn Epel on you just as you turn Epel on them. Epel isn't completely stupid, if he finds out you're taking advantage of him, it will not be pretty or cute.

IGNIHYDE

Ortho would definitely platonically help out. You make his big brother so happy, and you make the perfect older sister for him!!

DIASOMNIA

Silver and Sebek -- calm n loud. Basically their relationship with Malleus but transferred into yanderes + darling.

A part of me can see Lilia teaming up with Silver but I don't like thinking about it for too long

All 4 -- The situation in the Diasomnia group is basically understood as you are with Malleus, but you are allowed to also see the other 3. Like the other three are side pieces. Malleus is sharing with his boys. You gotta share with your boys.

MIX N MATCH

The Freshies -- Ace, Deuce, Jack, Epel, Sebek -- freshies gotta look out for each other, right? And that's what they're doing. Looking out for you.

The Discord Mods -- Azul and Idia. If Idia were to team up with any one person, I think it'd be Azul. Like in Azul's lab wear vignette, Azul was the only one Idia felt comfortable enough to ask for help from. I can imagine them scheming together in their club teehee.

The Overblotters -- they all realized they share one thing in common... no, not overblot, you! They all share you! They swear that you are their cure, the only thing to keep them stable. So you kinda have to stay with them, for safety reasons.

The House Wardens -- it's the overblotters but switch out Jamil with Kalim. And it makes all the difference, having the sunshine boy involved, istg. The housewardens deserve something nice, right? That something being you ofc.

The vice house wardens -- including Ruggie. A lot of them are very tired and just want quiet darling time, and the ones that aren't tired make darling feel tired enough to be quiet for quiet darling time.

Leona and Rook -- Leona did not consent to this, but there's not much he can do. Especially since Rook is happy not only to do most of the physical labor involved in caring for a darling, but also to stand by as Leona gets Darling time. It's weird and uncomfortable for everyone involved.

The light music club -- they spend most of their club time talking about you tbh. Also please don't listen to closely to any lyrics of the songs they write...

Basketball boys -- imagine going to their practice to support Ace. Ace brags to them about how close he is with you. But then now when Floyd isn't in the mood to ball, he'll chat it up with you. One day Floyd just asks "you what if we took them." And then they do.

These are just the basics, but I'd be happy to go into more detail on a group/pairing if asked to!

[moonrisecoeur]

Ur the best sub Leon writer soooo… idk if you seen these but ppl treat las plagas parasite as sex pollen 😭 and I’m so here for it. Concept : re4 leon infected by the parasite OK but he starts out very agressive but ofc he’s a sub so he does whatever reader wants in order to yk… achieve the goal of the parasite (breeding 😔 who said that? Not me) And pls make the reader mean, I love mean femdoms sm, they are chefs kiss. If you need more clarification post it I’ll send another one idk but I’m just seeing what YOU come up with. LOVE UR WRITING btw I love how it’s pretty in character tbh cuz I read ur bully Leon one and I was like “yeah fr like he’s too caring to be a bully 💀”

OMG WAIT MY DUMBASS FORGOT TO ADD: you said smth so mean to him that he came too early. He was so sorry for coming early and the mess he made in you But then he continued to keep going trying to pump more- OK SORRY

the BEST?? idk about that but i shall take ur compliment and deliver to you only my best work so thank u bestie i appreciate it sm !! ^-^

las plagas is crazy cuz like the black veins, the loss of control with your physical body, the pain it causes… that’s literally so hot. leon was so fuckable all of re4 but especially in the scenes where his body is being controlled that man is SCRUMPTIOUS

also just so you know. the veins on his dick are black as well ♡

no pronouns mentioned, afab parts mentioned, plaga leon has to be a top im sorry (technically in straight relationships men are always topping unless u count pegging BUT in this context i mean he’s a top more like ‘he’s a sub but he’ll fuck u stupid’ like that’s the vibe)

you spot his blonde hair from across the hall, running over to him excitedly. thank god you found him.

“leon!” you call out, grabbing the attention of the man in question, as you catch up to him. finally finding him in this nightmarish place after getting separated was the best thing possible, “holy crap, i’m so- i’m so glad you’re okay— woah, what… what happened to you?”

he takes a cautious step back, still seemingly holding a little bit of control over his body, “they said it was a gift in my…. my blood… don’t know what the fuck that was about..”

you take a step forward, reaching out your hand to touch his face, fingers tracing the black lines that were once veins invisible to the naked eye. but he stops you, his hand roughly grabbing your wrist, “don’t.”

“don’t… what?” you ask nervously, shoulders slumped.

“you need to… stay away from me,” he groans from pain, and you’re too worried to listen to his words, “stop, get away from me, you— i could hurt you! i don’t want to hurt you…”

but you don’t listen to him, betraying his wishes by shaking off his grip and reaching your hand out again. he can’t try to stop you this time. he moans, actually moans, when your fingertips touch his face, caressing him softly.

“really? it’s that good?” you ask with a small smirk on your face. leon thinks he could die.

“f-fuck…” he mumbles, finally coming closer to you. his hands wrap around your waist as he leans in for a kiss that you’re not ready for, and you both stumble backwards while you try to ground yourself.

he’s getting rough, aggressive, and you need to push back a little or else he’ll consume you entirely. not that you’d mind.

“leon, ease up,” you whisper, pushing him back slightly, and when a growl escapes his throat, you know he’s clearly not in any state to listen, “leon.”

he annoyedly makes eye contact with you, trying his best to listen to what you’re about to say. he is trying, and that’s the worst part. this is him at his most gentle, most restrained.

“you need to listen to me, okay? can you do that?” you ask softly, hand against his chest to keep him from diving too deep into you, and pressing a kiss to his lips. it’s softer. he moans into your mouth needily, but you don’t let him get rough. instead you sweetly get the taste of him. sure, it’s not a delicious taste, but he’s a delicious experience.

you enjoy the way he’s trying so intensely to control and contain himself, for your sake. he knows what you want from him is not his full fledged desires out in the open, completely unchecked.

when you pull away, he looks wrecked already, “please, you can’t do this to me, not if you’re just going to walk away and leave me desperate.”

part of you wants to reassure him. i’m not going to leave you. i would never abandon you when you need me most. but the other part just wants to ravage him, take all of him for yourself, leave nothing of him left but the perfection you’ve created. perfection in your eyes. maybe he’s not the only one infected with some kind of tainted desire.

instead, to accomplish both, you kiss him again, letting your own intensity and desire take over, potentially overpowering his. he whimpers, his shaky hands holding your hips for stability. he’s not being grossly possessive and rough like before. he’s softer now, pliable.

when you pull away, you whisper, “we need to get somewhere safe.”

“wha… what?”

“i need to take my time with you, and we’re not safe out in the open like this…” you say, leaning in to press a kiss to that sweet spot right below his ear. it’s so cute how truly weak leon is right now. sure, that’s always been his weakness, but it’s elevated multiple times over by this parasite in his blood. you have half the mind to thank that weird cult.

when you find a safe room, you’re immediately back on him, pushing him against the wall, enjoying the way he whimpers as you kiss him, his need for you multiplying by the minute.

“please, please, i need you, i need you so fucking bad, please, i need to take you, need to make you mine, need to—”

“shut up,” you groan, fingers roughly grabbing his jaw, pushing his head back and away from you, “you’re going to be good, or you won’t get what you want. i don’t care how badly you fucking need me, you’re going to be patient. you’re going to be nice and obedient or you’ll get nothing from me. and that little parasite inside of you is horrified at the idea that you won’t get to fuck my pretty pussy, hm?”

he looks pathetic, moaning like a whore at just some words, but it’s the way you say them, the way you say them, that kills him. he eventually calms himself down enough to nod with his eyes shut tightly, “i’ll do whatever you say. you know that.”

“lay down on the floor,” you command, almost growling back at him, and he opens his eyes in surprise.

“what?”

“you heard me. on the ground, beneath me, right now, leon,” your eyes narrow at him, enjoying the way he weakly sinks to his knees before sitting down completely and laying back.

“like this..?” he asks, confused. he doesn’t know what’s about to happen, and that excites him immensely.

you take off your belt with all your utility tools and your jeans along with it. then finally, your underwear. he looks up at you with wide, delicious eyes.

he asks so sweetly, even though he knows the answer, “are you… are you gonna make me..?”

“yeah, you are. i’m going to sit down on your pretty, pretty face and you’re going to enjoy every second of being beneath me, where you belong, servicing me, and making me cum.”

his heart skips a beat at the thought of belonging beneath you, “yeah, fuck, okay—”

“—and you’re not going to fucking talk until i cum, got it?”

he nods, and once you sit down upon your throne, he gets right to work. he laps up the fluids of your cunt like a dog, working tirelessly, sucking on your clit and tongue fucking you. this is his place. he deserves nothing more than to be here with you, caving to your every desire even if all of his thoughts include breeding you and getting you pregnant with his babies. he’d do anything you asked if he could just have that.

he’d be at your service, at your mercy, until you chose to give him what he wanted.

but he makes you cum so fucking hard that it’s impossible to not give him what he wants, especially when rough hands grab onto your thighs as you’re cumming and he’s still giving you the head of your life through your orgasm. he grabs you just to stabilize you, but also to be possessive.

he can’t help how bad he’s gotten about jealousy and possessiveness with this parasite. he’s never been the jealous boyfriend, knowing you could hold your own and you’re loyal and stuff, but something about the way he looks at you now is different. it’s deep and primal. he looks at you like he needs to have you, and no one else can.

it’s insanely hot, but it’s also inconceivable how uncontrollable those urges are. leon has good self control, and you notice it in how he’s acting. again, this is him at his most restrained. he’s trying to keep himself from pouncing on you, taking everything he wants from you because he knows you don’t want that.

somewhere deep inside of him, he’s still himself, still that awkward and dorky guy that just wants to love you and give you everything you want. you wouldn’t want that.

when you roll off of him, laying down next to him to give yourself a moment to recover, you press a kiss to his shoulder, a sign that it’s an act, your harshness isn’t real. he returns the gesture by kissing the top of your head. a sign that he acknowledges your motives.

“please,” he whimpers suddenly, startling you out of your daze as his hand caresses your back softly, “i’ll let you control everything, you can do whatever you want with me, but fucking please, i’m so desperate to put my cock inside of your pussy, baby. i can’t think straight, and i’m trying so damn hard to control myself but i won’t be able to much longer…”

“yeah? you wanna put your cock inside of me? feel it throb inside the wetness and warmth of my cunt, fill me up with—”

he cuts you off with a loud moan, his hands grasping onto you and his eyes shutting tightly at the thought of such pleasure. he looks wrecked at the mere mention of cumming inside of you. you obviously have to capitalize on this fact.

“oh? so it’s the filling me up part, isn’t it? the ‘gift’ you have makes you really want to cum inside me, hm?” you say, smirking cruelly at him, watching his resolve crumble as he moans shamelessly, “do you want… breed me, leon?”

he gasps, breathing heavily. he’s incredibly wound up, and now you know the real reason he’s insatiable and uncontrollable, “f-fuck, i— it’s not that i want to, it’s that i need to… i need to fuck you and breed you so damn bad, i—”

you cover his mouth with the palm of your hand, enjoying the way he groan in pleasure when you straddle him. god, he’s not even inside of you, but he looks fucked out. he looks he’s about to burst already.

“god, you’re so fucking desperate,” you mumble to him, leaning in closer to whisper to him despite having him muzzled with your hand. not that he’d ever hurt you, he would never even imagine it, “you’re going to fuck me stupid, okay? you’re going to fuck me until my legs go numb and i can’t feel anything but you… and only when i tell you you can, you’ll breed me, fuck your cum even deeper into me and not let any of it escape. understood?”

he breathes shakily, not responding. obviously you forgot you have your hand over his mouth. when you take it off, he nervously says, “got it. i’ll… i’ll be good. i’ll make you feel so good.”

your voice is dark, cruel, full of malicious intent, “you fucking better, or i won’t let you cum. you’ll get to fuck me, sure, but i won’t ever give you the satisfying orgasm your body is desperately aching for. you won’t get to fill me up, and all you’ll have left to fuck for your little orgasm is your hand.”

his heart aches. the idea of disappointing you makes him feel a physical pit of nervousness in his stomach, the same ones he felt when he was more like himself. he just wants to feel like himself again.

“g-got it,” he whimpers. you get off of him, and he’s got you pinned immediately, gently resting you against the ground he was previously laying on. the image of you beneath him has him breathless. he feels like he’s worshipping a god with every move he makes.

he slides his cock into you, groaning at how easy it is, how wet you are. he bottoms out almost immediately, enjoying the way your body wraps around him in almost every sense. he silently adores you. he loves that you want him, crave him just like he craves you. that underneath all of your dominance, you’re his lover too.

fuck, he’s starting to feel possessive again. he beings to thrust into you, his body moving faster than either of you can handle, but you keep your cool better than he does.

“don’t let yourself start to think you’re in control,” you murmur, leaning up to press your lips to his shoulder, baring your teeth but not hard enough to draw blood. just enough to remind him of his place, “you belong to me. not the other way around, got it?” you growl into his ear.

he can’t even respond, too enraptured by your body and the feeling of your control over him leaving him a shuddering mess.

and you can’t even deny it. he’s putting in the work, thumb playing your with your clit just like how he knows you like, and clearly he’s getting the results he’s looking for. his body comes closer to the edge sooner than he’d like, but he tries to stave it off, for your sake.

still leaning into him, you whisper in your darkest voice, “maybe i should leave you like this, so you can stay this desperate… for me. i would try and cure you, but… not sure if i really care anymore.”

he shudders, voice giving out on him as he tries to plead with you. he cums without warning, obviously his body did it without the consent and go-ahead of his conscious mind. he already looks embarrassed at cumming without your permission. you don’t really have the mind to care right now, but you remember it for.. later.

“i’m gonna cum, fuck, leon, give it to me, give in to your cravings, your desires, your needs,” you moan in his ear, desperate for him, only him, and he’s yours, he’s all yours, it’s all he’s ever been and all he’ll ever be. he keep fucking you even after cumming, keeping you filled up, pushing it deeper, “make me yours.”

and he has no choice but to comply.

[egophiliac]

so we know you love diasomnia endlessly, but who is your favorite character from each of the other dorms

this is SO hard to answer, because so many of the characters are, like, those pet adoption ads that say "MUST STAY TOGETHER, CANNOT BE SEPARATED". it's all about the relationship dynamics! and I think everybody in the main cast is pretty neat, honestly; there isn't anyone who doesn't have something I really like about them. but if I haaaaad to choose...

Hearts - Trey, partly because I do like me a good Mom Friend™ character, and partly because he pretends like he's all sane and normal, right up until he does something to prove he's just as much of a dipshit as everyone else. you're not immune, sir.

Savana - BUFF 👏 TSUNDERE 👏 WEREWOLF 👏

Octa - this one took a lot of soul-searching, because I do feel like the Octatrio is at their very best when it's all three of them, especially when they're in full Ed Edd n Eddy mode. but in the end, Jade ekes out a win, because sometimes you get this Jade:

and then when he gets back from his nice mushroom-foraging hike, you get this Jade:

Scara - Kalim, my sweet little moron. such a good heart, so few braincells.

Pome - 90% of the time when Rook shows up, you know it's going to a be fun time watching a silly little man dance around and break into song for no reason and wax poetic about the beauty of, like, a chair. always a delight!

except every once in a while, he'll bust out something that is absolutely insane even by Twst standards:

this isn't a complaint, it's just. why is he like this. I want to study him under a microscope, except I'm afraid of what I might find.

Igni - MUST STAY TOGETHER! CANNOT BE SEPARATED! ...but I would probably go with Ortho, just because right now I'm pretty invested in his Learning Emotions story arc and looking forward to seeing it progress. he's a good boy who will post your cringe fanfic publicly if you annoy him

...and at this point I'm calling technicality because the ask says "other dorms", and I genuinely do not think I could choose between the Dia boys at this point. let's see how episode 7 goes first!

[ot3]

hey, i only just recently finished bridge to turnabout (the final case of the aa trilogy) and wanted to go back and see your thoughts on godot since personally i have very mixed feelings on him altogether. you can just reply with a link to a post where youve already explained how you feel in more detail (i remember seeing a post where you have but tumblr search function is ass so i cant find the one i was thinking about) or use this as an opportunity to bitch about him if youd like. but i generally think that you have a knack for putting opinions i already have into words perfectly and wanted to revisit ones on him specifically with a new set of eyes now that i finally understand the context behind everything. peace and love ✌🏽

ohhhhh man godot. a lot to unpack there. I feel like for the most part whatever thoughts i've posted about godot have been kind of piecemeal so ill try and put it into something more coherent and comprehensive here. well first of all congrats on finishing the trilogy i hope you enjoyed it!!! bridge to the turnabout is SUCH an excellent case on almost every level but. the writing centered around godot really spoils it and stops it from living up to it's full potential....

i was warned i wasnt going to like godot going in so i was really surprised that up until bttt, i actually did end up liking him! i thought he was hysterical! and i still do. but i really can't Like him because of what the writing centered around him does to the integrity of aa3's arc. I don't like what it does to mia's place in the narrative and I think it undercuts the emotional realism that makes ace attorney's slapstick ass nonsense murders manage to land right. i guess ill address each one of those points on their own?

I don't like what godot's writing does to mia's place in the narrative!

Mia's death is something that's completely within her own agency; it is her own phone call with her own sister, talking about evidence for the case she herself has spent years building, that gets her killed. None of this has anything to do with phoenix. She is no strings attached presented as his mentor figure and I think this dynamic is what prevents Mia's death from feeling like fridging despite it technically being something that has to happen to allow phoenix to take center stage in the upcoming events of the game.

then godot comes in and the narrative he imposes on her death feels like it retroactively turns it into Fridging! I mean 'is this character death the Fridging Trope or the Death of the Mentor Trope' is kind of milquetoast tvropes brained level media critique here but im really using these concepts as a shorthand for the level of agency a female character is allowed to have in her own death, and the degree to which that death is used as a tool for men's emotional development. but anyway the point being that the fact that godot views mia death as phoenix's responsibility is an inherently misogynistic bit of character writing. their power dynamic is such that mia was the one responsible for phoenix's wellbeing if anything, as his boss, his senior, and his mentor; the only reason godot presumes phoenix to be responsible for mia's death is because he a man who was in proximity to her! which fucking suuuucks.

Something I don't see talked about a lot is that godot also has beef with phoenix for being dahlia's stooge, which i think is a MUCH more interesting angle for his character. but that's presented as a separate thing from his feelings about mia's death

Godot: …… I never liked you. Six years ago… …you helped the woman who put me to sleep by hiding her bottle of poison. And then… While I was sleeping… …you let Mia die. But you didn't care. You just kept living your pathetic, happy-go-lucky life. You even had the nerve to follow in her footsteps as a lawyer. I could never forgive you. That's what I thought.

now to be clear i don't think the narrative frames his blaming phoenix as something we're supposed to agree with. Godot has his whole confession at the end where he admits he views himself as responsible for failing to protect her. but it does basically mean that her death stops being something that was About herself and the choices she made and her relationship to her family, and instead becomes About the effect it had on the men in her life. which i really don't like!

NUMBER TWO. I think godot's writing lessens my ability to get emotionally involved in this case

Even within ace attorney's fucking moon logic bridge to the turnabout pushes my suspension of disbelief past its breaking point. I don't care about the pendulum horseshit. I don't care about the ghost possession. I'll accept all of that. What I can't accept is: why does no one EXCEPT godot himself seem to care that this entire murder could have been avoided if maya at any point been warned about it? Misty and Iris just as guilty of this as godot is, but the biggest difference between them and godot is that 1. misty has been a deadbeat for ages and is now just Dead. Her primary established character trait is not talking to her fucking kids. 2. Iris has been working as dahlias accomplice for her entire life and so the idea that she would willingly conceal this has much more legitimacy to me.

We are supposed to accept and sympathize with the idea that protecting maya Actually Was Something He Did. I say were are expected to accept and sympathize with that because phoenix and maya sure do! I guess you could interpret this as them trying to give some comfort to a man that is clearly at the end of his rope and about to be sent to prison.

Phoenix: Y-You're wrong! You put your life on the line to save Maya! Godot: Was it really for Maya's sake...? Even I'm not really sure. [cut some lines for brevity] Godot: You were the one who made me realize my folly. You never ran away from Mia's death. Instead, you picked up where she left off, as a true defender of the people. In that one moment... I understood everything! Phoenix: Mr. Godot... Godot: I think you already know this, but if you don't... My name is... Diego Armando. Maya: M-Mr. Armando! I believe in you! I know you were trying to save me!

then, later on:

Phoenix: (So I guess it's all over... The way everything ended... Was justice really served...? The man who risked his life to save Maya is being sent to prison by my own hand...) Mia: Of course justice was served. Phoenix: M-Mia! Mia: ...I'm proud of you, Phoenix. Your defense was... truly brilliant. Phoenix: B-But I couldn't save Mr. Armando! The man who cared so deeply for you... Mia: You're wrong, Phoenix. You did save Diego. You saved him in the only way possible.

I guess technically godot did risk his life to save maya. and I do like the conclusion that basically being laid bare and brought to accountability like that is what godot needed to 'save' him. but i'm just not sure why the fact that maya was only in danger in the first place due to godot's choices doesn't factor into how phoenix feels about him 'saving' her. I just don't buy it!!!

It lacks the emotional weight that other instances of Avoidable Tragedy in the series have had. Ace attorney is at its best when the relatively grounded emotions are contrasted by the zany impossible crime antics. But i think BTTT is an instance where the emotional realism isnt taken far enough to distract me from the convoluted nature of the actual events that have just taken place. Rather than being so in touch with the characters during this case that i can tap into the Tragedy aspect of 'this didnt need to happen like it did' i just find myself frustrated by the fact that it didn't need to happen like it did. It kind of chafes the whole case for me and at the end I didn't feel any sort of cathartic victory regarding the events that had just transpired. but that was clearly the feeling they were going for

i did enjoy godots for the most part, but i think you'd need to make some serious overhauls to the storyline to have this specific case reach its full potential. it's a good case! but as the end to the entire trilogy i just can't help but resent the fact that it has the clumsiest writing out of any of the individual games' finales. and that everything i disliked about it is attributed to the actions godot took and the reactions other characters had to that.

[genericpuff]

Hello! I’m just here bc I’m a little confused on what you meant by Smythe drawing out “each individual asset” when she was making comics? Now, granted, I can see that it made her file ginormous, but me personally as someone who knows nothing about making online comics but is really wanting to get into it (and also as someone who has a ‘too many layers’ problem myself), is there a way to avoid using too many layers?

My current way of making comics has been to draw the panels individually and then format them (which I know is terrible management wise and also messes with the quality) but I honestly have no other idea of how to do it properly, and seeing how stunning Lore Rekindled looks, I don’t know how you would manage to put all that lighting effects and little details on the same layers. (But also I may be thinking of it wrong so I’ll let you talk qwq)

Ah I can actually give you a visual breakdown of what I meant by that!

So in this you can see there are a TON of layers, and not even all of them are visible because some of them are stuffed into FOLDERS that have been left closed. BUT if you look REEEEALLY carefully-

^^^ These layers right here? That's specifically Minthe from this panel in Episode 61:

(the unique pose here makes it real easy to tell that this is the corresponding panel, you can see the matching body shape with the dark shading that's clipped to the base layer below it!)

So what this means is that Rachel didn't draw all her characters on one base layer, she drew every single character in every single panel separately. Now of course, she could merge all these layers together as working on separate layers helps make it easier to work on elements that collide separately (like one character being 'underneath' another character like Hades is here) but because she has all of those clipping layers with the shading already added in, she likely didn't merge them afterwards because that would actually create MORE problems (because if she merged the Minthe layer in with Hades, then the shading for Minthe that she painted outside of the lines would show up on Hades and then she'd have to erase it which is just a bunch of extra work).

You can also tell all these characters are on their own layer because the layer thumbnail EXCLUSIVELY shows those characters. A layer will show as much canvas length as it needs to cover what's in that layer, so if the thumbnail is only showing one character, that means there's NOTHING ELSE on that layer. If there were more elements on this layer than just Minthe, the layer thumbnail would look more like this:

Now let's compare it to Rekindled's layers! I'll use a completed page to make it fair as we use a lot of extra layers in the post-production phase where we add the texture effects and glow and all that fun stuff, plus I'll even make it a more complicated page like that big nymph explanation spread from Episode 51:

So I'll break it down to make this make more sense:

BG 2 Copy (technically this is supposed to be BG 1) - Basically the panel shapes, what I'll do is mark out the panels with flat blocks and through that we'll add background elements in a clipping layer (usually done by Banshriek). Often times they'll do multiple layers to make the process easier and then merge them all together in the end. With these shapes operating as panels, it means I can just auto select the whole layer, invert the selection, and easily erase whatever's outside of it (such as the lineart and base colors that I put down afterwards). I could just use masking layers like I did in [AFTERBIRTH] but I find this way works better for the process of making Rekindled.

BG 2 - This is where we add objects / foreground elements. So stuff like furniture, interactables, anything that needs to be kept separate from the larger background to make it easier to work with. This can also include "floating" panels that need to be above other panels, such as this:

All of the backgrounds are then nested in a folder for organization purposes (we also sometimes use clipping layers on top of those folders to apply extra effects over anything contained within that folder without affecting other folders, that's a common technique that Banshriek applies)

Then we get into our Characters folder:

BASE - This is where I do the majority of my work, all the characters in every panel on a page are flatted into this layer. Sometimes I do have to create separate layers to, again, make it easier to work with overlapping characters, but usually those layers will be merged before I go into the shading process. I simply shade on a single layer by using the lasso / magic wand tool to select my area for painting, the flat colors make it really easy to do that. Sometimes I need to create a secondary shading layer if I've put down dark colors that start to bleed into the lighter colors, but again, I merge when I'm done into a single shading layer. We also sometimes employ an Add (Glow) layer into the clipping set if we need a glow effect that's exclusive to the characters and doesn't travel outside of their base colors.

There's a (leaves) layer here that I used for the dryad because I needed the leaves to be above the base layer, after that I selected the leaves elements so that I could erase the lineart in the layer above it where needed.

LINEART - It's lineart, enough said haha That said, I do think Rachel actually uses clipping layers for her lineart in places, it seems to be visible in some of her process videos where you can see the lineart present in a clipping layer, and that would explain why there are panels where the lineart suddenly 'cuts off' and doesn't travel outside of the base layer, like so:

GLOW - This is where we do an Add (Glow) layer that isn't restricted to the base layer, it's where we add all the fun lil' glow and sparkle effects over the characters !

The CLOUDS layer is, like the leaves, a background element that needs to be above the base layers rather than constricted to the background.

Above the Characters folder you can see what I mentioned earlier where Banshriek has added more post-production effects that are exclusively clipped to the contents of the Characters folder. This means the effects / blend modes do NOT affect the background layers or anything above it.

The BLUR (Overlay) layer is something we just started doing over the past several episodes, it's a technique I actually picked up from 66 of City of Blank where I merge all the layers into a new visible layer which I then apply a Gaussian Blur to at around 60% and then set to Overlay (and then I adjust the layer opacity until it looks right, usually around 25-35%), it gives it a bit of a softer "dreamier" vibe in the final colors and really helps unify everything!

CANVAS - This is an Overlay layer which is also set to an opacity of 25-35% where I go over the panels with the Add Canvas brush from the Kyle Webster set, unlike the Canvas overlay texture in CSP I can actually choose the colors I want to use which means I can match the canvas texture color to the mood and environment of the scene (ex. I'll use a very light blue for scenes in the Underworld). Not only does it give it that signature texture from S1 of LO, but it also helps balance out the effects of the BLUR layer.

The SKETCH layer sits on top of everything and gets turned off once all the base layers and lineart are down, and ofc the SPEECH folder is just where all the text is kept.

I know everything I just laid out is a LOT but ultimately it's how we operate, it works for us! But it also begs the question of why Rachel operates the way she does because a lot of it seems extremely unnecessary and more likely to bite her in the ass (the more layers there are, the bigger your file size gets, the risk of drawing on the wrong layer increases as well as the risk of posting a panel that's missing elements because the layer was left turned off by mistake, etc.) And it's more so concerning with how she operates with her assistants because if she's still using this many layers when collaborating with other people, hooo boy. Though based on what I've observed of what her assistants contribute, I get a lot more of the sense that she circumvents this by having the artists do the flats separately and then importing them in as separate assets that she then just imports into the page and places them where they need to be. Still not a great workflow IMO because it's what's led to a lot of the issues of characters "floating" rather than feeling like they're actually in the environment-

-but that's still an issue that could be solved by Rachel just taking more time to actually flesh out the backgrounds and lighting to give more of an impression of the characters actually existing in the space. Like that Hestia panel could easily be fixed by just giving the background a bit more detail and putting actual shading underneath her (and lighting from whatever direction it's coming from).

Either way, regardless of whether or not Rachel's process is productive or not, I hope that breakdown helps explain how we do it in Rekindled! Learning how to manage layers is definitely a skill that can be tricky to harness, but once it "clicks" there's a lot you can get away with. Ultimately how you do it is up to you, but my best piece of advice to offer is to just be open to other types of workflows because you don't know how much you might be shooting yourself in the foot doing things the hard way when there are often way easier and more efficient ways to get the same job done. That's basically the vibe I get from observing Rachel's workflow, it seems like she's still using methods that she thinks are working for her (and probably did work just fine for her when it was JUST her) but could be vastly improved for her and her team if she'd just get over the initial hump of stepping outside of her comfort zone. Would probably make for a better comic too LOL

I hope that helps! Good luck! ( ´ ∀ `)ノ～ ♡

[pennyblossom-meta]

L Lawliet: a deep dive into the expanded universe pt.01

EDIT (07/04/2024): Added some imgs.

Apologies for being so late to give this a follow up to @maevearcher's meta which can be found here and here. As usual, she’s made excellent points and I'll try to answer the ones which caught my eye.

Since this post ended up gaining a life of its own and becoming a bit too long, I’m splitting it in 2 or 3 parts. The core of the content for part 01 starts after under the button to Read More.

Here we talk about L's humanity.

I'll start with a disclaimer of my own: while I consider the manga as the base for the story, I'm very much open to the expanded DN universe as a complementary study of the characters and their motivations — sometimes even filling in the blanks for some of the background mysteries, such as the dynamics of Wammy's House and how L's successors view him.

To further clarify: by canon I mean the manga and any works by Tsugumi Ohba as the base material. I think @maevearcher and I are more or less in agreement on that, from what she mentioned in her own posts. As she said, the written word is indeed the baseline truth.

The expansion of the DN universe also has its own very special set of problems; for example, in many ways, L:CtW (L: Change the WorLd) commits the sin of overindulgence by throwing in considerations that, arguably, go against canon. Besides the ending where L lives for a final 23 days and Watari dies, the portrayal of Near in the movie (though in the novel he's also walking a fine line between becoming partially and very much OOC) is also a point of contention. I confess that I really wasn't fond of the way they portrayed Misa as a potential crush of L given canon insights on his opinion about Light whether in the role of Kira or as a person (pg.64 of Vol 13: How to Read, henceforth referred to as V13:HTR), but aligning L to become more humane and forgiving was at least interesting.

The same happens with the live action movies, the 2015 series, and the musical. At least the game Spiraling Trap isn't clashing with canon elements — that I could tell. The main plot is separate from the events of DN and the dating sim is a little slice of heaven into L's thoughts and emotions which I dearly love.

However, while L:CtW does indeed overindulge, the novel AN:LABB (Another Note: LA BB Murder Cases) gives us a singular glimpse into L through the eyes of Mello while keeping the events mostly accurate to the main plot, even with its slight deviations. It's certainly an optional perspective to the core of DN, but one that I always found very insightful. In V13:HTR, Obha mentions how he would’ve liked that there were more novels about L and how he solved previous cases, in a similar fashion to how Nisio Isin approaches AN:LABB. Here’s what Ohba says in pg.61 of V13:HTR:

(...) I didn’t think up much for [L’s] past. For him to be in such an influential position, he must have solved an amazing amount of cases, but I have no idea what kind of cases they were or how he solved them. But I would love for NISIOISIN, who wrote the Death Note novel, to write more stories about that (...)

This means that, to some extent, even the original author, Ohba, accepts AN:LABB as close to canon — or rather, as canon as it can get given the creative liberties allowed to a third party writer. To that point, Nisio Isin took L’s capoeira demonstration during the Yotsuba arc and made it a whole thing in the novel, with L taking inspiration from Naomi Misora’s skills. However, given the importance of that event, in the main story, L takes a while to even remember Misora so we can infer that either the stress of the case is getting to him OR learning capoeira and subsequently Misora’s role in it didn’t leave that much of an imprint on him because true canon didn’t really put that much emphasis into it. Either way, it’s an extrapolation that works. The technicalities can be overlooked given how ambiguous the scene is, as there is more than room to deduce a different past.

At the same time, I am an apologist that there are shared characteristics to L throughout the different mediums. My own interpretation of L's character has the manga as a baseline, but the expanded universe has taught me that there are sides to him that might not be so easy to perceive in dialogue bubbles or illustrations alone. Little things like L's addictive personality or the way he represses feelings are visible in the manga but caught beautifully in the novels, for example.

Going from the written word into the screen also represents a loss of the purity achievable only within the narrative in-book, where you can extrapolate and reach your own conclusions without being subject to the bias of sound and movement — though manga aggregates the visual to words and with it an altogether different dimension of meaning. That's one of the many things I enjoy about elements of fiction introduced through books; the stillness of the images and the narrative are more complex. Every time the baseline gets adapted, it loses something or that something shifts to fit into the perception of others. It ceases being pure and its essence is fundamentally shattered. Like the concept of a musical score on paper that gets played by an orchestra, there will never be an adaptation as good as the source material because it breaks the illusion.

While I can certainly extrapolate and accept the loss, I find that the written word from the novels, the tone of a VA's voice and the body movements in a live action still complement the manga well, despite narrative clashes.

About L’s humanity

Recently I've been re-watching the anime and it's incredible how Alessandro Juliani's understanding of the character resulted in such a well-rounded voice for L. I actually prefer the EN version to the JP because of the voice acting. It's superbly brilliant, even if L becomes less listless. He's certainly still aloof, but his aggressiveness is portrayed more vividly; in contrast, L in the manga feels a bit more dangerous and scary to me due to the range of expressions that the anime didn't manage to add in due to time and budget constraints. If anything L tones down how dangerous he can be. He does this on purpose so that he can trick and trip his adversary, as can be seen during his earlier interactions with Light. At times, L makes a mockery of himself, apparently placing himself in the position of a more demure individual while sharply observing the world around him and forming conclusions.

As to @maevearcher ‘s first point:

(...) An image of this lonely autistic genius, locked inside the confines of his ways, waiting for the right person to come along and save him from the banes of his solitary existence…until he meets Light and realises there’s someone out there who he can relate to, for understanding and stuff. I personally don’t buy too much into that.

The depth to which L relates to Light can be overestimated, but not without reason. Theirs is mostly an adversarial relationship with varying deviations throughout the expanded universe, but if we solely consider the manga then we get this comment from Ohba regarding whether L has any friends on pg.64 of V13: HTR:

Nope. And when he says that Light is his first friend that’s a big lie. He never considers him a friend. He probably secretly thinks really negative things about him.

During the Yotsuba arc, L is at a disadvantage. Light has turned the tables, tricked him into what Beyond Birthday could not do and thus gained a solid position into rendering L almost powerless to charge him. To elaborate on the latter point: BB wanted to create the perfect, unsolvable crime to humiliate L, making him lose, and thus “spend the rest of his life trembling in fear of B’s shadow” (pg.163, AA:LABB); L would know who the guilty party was but wouldn’t be able to prove it or bring that person to justice. As such, L would not be able to solve the mystery. At the end of the novel BB fails due to Misora’s quick thinking and that’s that. However, Light has several advantages that BB lacked, starting with his own social position, charm and the impeccable reputation of a model student and the prized son of a police chief who helps solve cases every now and then.

We can argue that, what truly happens in manga canon, is L and Light showing how much they respect each other for their detective skills, forming a sort of strange kinship within the cat and mouse game, especially when Light loses his memories of the Death Note. The game thrills them and they enjoy pushing each other’s buttons. No one else has ever challenged them like this. That being said, the first time they meet up for coffee after the tennis match, L is observing Light like a hawk, keeps testing him for a reaction and seems somewhat irritated at how much Light talks. I would venture a guess that L doesn’t actually like Light that much, even when he loses his memories. He might even find Light a nuisance when he waves the flag of morality — though this is a common problem L is confronted with when dealing with the Task Force, in particular Chief Yagami and Aizawa. This also places him at another gruesome disadvantage, as he’s surrounded by people who openly dislike and criticise his methods. The Task Force is also extremely wary of the way L pursues Light and think he’s being stubborn without proof to substantiate his reasoning. Ironically, it’s Aizawa, one of L’s most critical subordinates, who initiates Light’s downfall years later once he starts to consider L’s suspicions in light of Near and Mello’s tactics. 

Both L and Light respect the game, no matter where it takes them. I would further make an educated guess that Light even preyed on L’s vulnerabilities during the Yotsuba arc, predicting how L might fall into depression for failing at the game. Light was more than capable of understanding that L’s competitive and childish side would make him a sore loser, especially given that he had already “lost” the first round of battles just by showing his face. Even if there is a sliver of friendship between both during Light’s months of amnesia, it’s dead and buried the moment he becomes Kira again. 

My conclusion here would be that, while what happened with Light was extreme, it was also somewhat similar to Beyond Birthday’s eternal enmity towards L: the challenge, the need to humiliate and take down the greatest detective, one of the most brilliant minds to ever walk the Earth. There are some notable quotes from AA:LABB that reference what it is to be L, surrounded by future challengers and individuals who both look up to L and want to prove they’re better than him:

Pg.69

By simple arithmetic, L's ability in 2002 was the equivalent of five ordinary investigative bureaus, and seven intelligence agencies (and by the time he faced off against Kira, those numbers had leapt upward several more notches). This is easy to think of as a reason to respect and admire someone, but let me say this as clearly as possible: that much ability in one human is extremely dangerous. Modern danger management techniques rely heavily on diffusing the risk, but his very existence was the exact opposite. In other words, if someone was planning to commit a crime, they could greatly increase their chances of getting away with it by simply killing L before they began. That was why L hid his identity Not because he was shy or because he never left the house. To ensure his own safety For a detective of L's ability, self-preservation and the preservation of world peace were one and the same, and it would not be correct to describe his actions as cowardly or self-centered.

Pg. 117

L was the goal of everyone in Wammy's House. Everyone of us wanted to surpass him. To step over him. To step on him. M did, N did, and B did. M as a challenger, N as a successor. B as a criminal.

Pg. 160:

B approached Naomi Misora, calling himself Rue Ryuzaki. Rue Ryuzaki - L.L.  For anyone from Wammy's House, there could be no higher goal than identifying yourself with that letter - and Beyond Birthday seized this case as his chance.

One of the biggest problems with these quotes is that they paint a very complicated — and, ultimately, suffocating — picture of what it is like to be L. Ohba himself mentions Watari’s predisposition towards collecting geniuses from all over the world and what Wammy’s House has turned into, under the snippet for Watari’s character (pg.60 V13:HTR):

He’s a guy who cultivates detectives for fun. That’s kind of terrible, isn’t it?

Everyone profits from L. Watari becomes richer than ever. Wammy's House becomes breeding ground for geniuses who end up dreaming of a life where they enjoy constant thrill and challenge. However, in order to do so, the dream cannot be complete until the successor crushes the original; until M, N, B and A defeat L. At least one of L’s successors couldn’t handle the pressure and committed suicide. B, known as Backup, runs away from the orphanage and goes on a murder rampage. Having never met L in person, he deduces several personality quirks that the “original” demonstrates, going as far as exacerbating them in order to be creepy and repulsive. Mello, who boasts of having met L in person and being privy to stories about how he defeated several other detectives (then taking their aliases as a trophy) both fervently admires L and wants to step on him. 

Step on him. That’s quite the turn of phrase. It does sound scary, doesn’t it? To be surrounded by people who would take the opportunity to pull you down, no matter how much they admire you. They want to be you, to prove that they’re better than you. It’s game and ego. Life and death. Winner and loser. 

And that’s perhaps the most blatant summary in approved canon of what it is like to be L that we’ll ever get. We can, of course, argue that Watari cares about L. He’s not only his handler, but also the one who brought him into Wammy’s House. It’s fairly clear that he nurtured (and even enabled) some of L’s most distressing character traits, though I wouldn’t necessarily say it was with a purely utilitarian agenda. It’s perfectly acceptable to extrapolate how Watari might’ve wanted to keep L, a child of great intellectual genius, happy by allowing him to be challenged and properly educated. In fact, AN:LABB (pg. 145-46) even gives us L’s perspective on the kindness that justice can achieve, which is confirmed within the expanded universe to be similar to Watari’s teachings as L confronts Kujo in L:CtW. 

"I have nothing to do with him," L said. "To be completely accurate, I do not even know B. He is simply someone I am aware of. But none of this affects my judgment. Certainly I was interested in this case, and began to investigate it because I knew who the killer was. But that did not alter the way I investigated it, or the manner in which my investigation proceeded. Naomi Misora, I cannot overlook evil. I cannot forgive it. It does not matter if I know the person who commits evil or not. I am only interested in justice." "Only... in justice... " Misora gasped. "Then ... nothing else matters?" "I wouldn't say that, but it is not a priority." “You won't forgive any evil, no matter what the evil is?" "I wouldn't say that, but it is not a priority." "'But..." Like a thirteen-year-old victim. "There are people who justice cannot save." Like a thirteen-year-old criminal. “And there are people who evil can save." "There are. But even so," L said, his tone not changing at all. As if gently admonishing Naomi Misora. “Justice has more power than anything else." "Power? By power ... you mean strength?" "No. I mean kindness." He said it so easily. Misora almost dropped the phone. L The century's greatest detective, L. The detective of justice, L. Who solved every case, no matter how difficult... " ...I misunderstood you, L." "Did you? Well, I'm glad we cleared that up."

I would, once again, venture another educated guess that, while Watari’s primary reasons for starting a program of successors to L was noble, it ultimately backfired on an individual level. Society wise, the letters, as L calls them in L:CtW, are a force for good. They solve crimes, help law forces around the world to keep peace. Some of them even become scientists like Dr Kujo — though she becomes the main antagonist in the spin-off novel. However, the pressure this kind of lifestyle fostered creates a group of individuals who are highly competitive and manipulative. Some, like A, can’t handle it. Even L has his own troubles, being called a reclusive sociopath, possibly by the police forces who treat him as a utility rather than a person. He’s someone they admire and resent, who is tolerated given how effective he is at cracking down cases. 

This passage from L:CtW paints a grim picture of the way L suppresses his own feelings as he breaks down for not being able to prevent Maki from being kidnapped (pg. 150-51):

"Light...it hurts. My heart--" It was a hurt that L Lawliet had suppressed, that he had to suppress in order to continue his existence as the peerless Detective L. How had the world's top detective been described in regard to facets of his personality rather than his ability as a detective? He had been called a kinky detective who relished bizarre murders, a human computer capable only of measuring mass murders in terms of cold numbers, a reclusive sociopath. What L thought of such estimations of his personality only L could know. But no one could truly understand L. How L did not and could not forget the faces of thousands of victims. Who could comprehend the man who had lived his life, and had to live confronting all the lives that ended prematurely, the tears of grief-stricken survivors, the devaluing of life as a daily reality. How was it possible to measure the pain of such a man? Was it a strain so heavy that L's back curved under all its weight? Was it an agony so terribly to leave the indelible dark circles around his eyes? Was it a feeling so bitter that every bite he took needed to be coated in sugar? The chronically rounded shoulders, the inevitable dark circles, the eccentric tastes--L suppressed the pain of being a champion of justice, but the evidence of the pain was moulded into his very body.”

Even within the clear disparity from the official canon, this passage slaps. It humanises L further, making the detective become a person and not just a machine who is content with his lifestyle. I know there’s a tendency for those who prefer the manga to see L as someone who is unabashedly himself and perfectly alright with the life he lives. I would argue that the Kira case was not only the most difficult challenge L ever faced, but also a series of moments where he had to be at his best — and at his worst. He had to do everything within his power to solve the case, not only because of his pride but because of what he considers to be his sense of justice. Saying with such confidence ‘I am justice’ is a rather cheesy and childish thing to say out loud, though I read it as both what started as a child’s stubbornness and what L became, as he positioned himself as a barrier to prevent crimes. 

L suppresses himself, represses his emotions; he tries to control them, as Fu Takashi says in an interview, he is “dependent on games or battles of the mind”. Perhaps this is a consequence of the foundations of his personality. Despite L’s innate stubbornness, it could be argued that this is as much his fault as it is Watari’s, who didn’t nurture L’s social skills as he should have when he was a child. By not having an outlet outside of his hobby, L is trapped in a prison of his own making. Superficially, L is a “smart guy who hates losing”, but what about the rest? What about the things that make him human, the connections with others? In the same interview, it is mentioned how L feels lonely and needs affection. But what affection can you get when you isolate yourself from the world and keep everyone at arm’s length? He’s not a machine. Even machines become obsolete with time, and need outside help to keep functioning.

As for the latter point, if everyone around L is trying to step on him, humiliate him and surpass him, then it’s only natural that his emotional defences would be up. Aside from Watari, whose loyalty he can count on, he’s alone. L has no one else. And everyone around him will have a dangerous, significant probability to betray him.

Next in part 02: About romance, having someone close and intimate, the meaning of the Monster speech.

Tagging @rinneroraito and @sharkiethrts who might be interested in this meta.

[hell-is-not-an-excuse]

Helluva Boss versus Achillean Relationships || Chaxxie [1/3]

Let me preface this by saying that I know I'm not the first person to point this out, and I certainly won't be the last. However, it's something that's been tugging at me for a while now. That "something" of course, being the portrayal of MLM/achillean relationships within the Hellaverse, and how they're favoured over everything while bordering into the fetishistic.

I'm going to be the first to admit I have not watched the entirety of Hazbin Hotel. Hell, I made it to the first five or so minutes of the first episode before unceremoniously quitting around the "this body was made to be exploited" line. I'll have a separate post on that later, since my thoughts on that (and Angel Dust as a character, by extension) are long winded and not the focus of this particular post.

So, for today, I will be focusing on one of the three canon MLM ships within Helluva Boss specifically. For the purpose of this post series, I will only be including the ships that have two characters that are named within the series. This narrows us down to Chaxxie, Fizzozzie and Stolitz (which is not technically canon but is clearly endgame, unless the writers are waiting with bated breath to pull the rug out from underneath the audience).

This time I will be talking about Chaxxie, as it's the least touched-upon relationship in the show itself; not only because it's the only past relationship on this list, but it's also the only relationship that contains a one-off character. And yet, I found the lack of chemistry so offensively boring that I felt the need to make a whole post just about them.

So, Chaxxie. There's not a whole lot to talk about with their relationship, as all we get is just over a minute of backstory and a song that screams "unable to take no for an answer". I suppose I could also include their sham almost-wedding, but that comes off less as a shipping moment and more a plot beat, and thus will be disregarded. Even so, I apparently had way more to say about them and the implications of their relationship than I thought, so this post will be long.

Before that however, there's the obvious elephant in the room - Chaz and Millie. Despite being the ex of both Millie and Moxxie, we as the audience never get a perspective of what the relationship between Millie and Chaz even looked like. Not even a throwaway line from Millie herself. Given that Helluva Boss has suffered from a lack of precise characterising of its women up until this point, this is another glaring example to add to the long-suffering pattern.

But what about Moxxie? What do we get as the audience?

In the first of two flashback scenes, we're informed that Chaz and Moxxie meet during Moxxie's induction into the Knolastname crime family. They meet eyes, and Moxxie is charmed right off the bat.

This springboards us into four different instances of the supposed chemistry that these two share with one another, the first being a gunfight in which Moxxie and Chaz reach for the same grenade, with all the flirtation and blushing that could be fit into the few seconds allotted for this sequence.

From there, the sexual intensity ramps up in the next two shots before settling back down into a nude portrait scene reminiscent of Titanic.

In terms of learning about their relationship, we as the audience don't glean much from these scenes, other than the fact that they have an incredibly sexual dynamic. One could also infer that their relationship started as a secret given the request to not tell Crimson that Chaz was at the door in the signage scene, though this is never properly expanded on.

Now, before we venture into the second half of my Chaxxie critique, I want to make two things clear; there is nothing wrong with a couple having an incredibly active sex life. This is true for any pairing with consenting adults, be it Achillean, Sapphic or Hetero. This is something I will expand on momentarily. Second is that despite my griping of the overtly sexual nature of their relationship, I don't find these examples to be "too sexual". By all means, this is quite tame imagery, at least to me. I bring these examples up primarily to highlight that Chaxxie as a ship suffers from sacrificing chemistry for sexuality (whether that be in a manner meant to be comedic, or genuinely sexy).

Back to our flashbacks. In our second and final flashback scene, we are given the unceremonious ending to their relationship. In the midst of a heist, Moxxie is pinned and unable to escape the scene of the crime, as police sirens wail in the distance. Chaz, in a selfish move, makes a grab for the money and leaves Moxxie to the authorities, effectively ending their relationship. This is presented as a great heartbreak for Moxxie, but due to the issues highlighted above, this reveal falls flat.

Moxxie doesn't appear to struggle with feelings of self-worth in the romantic department; this is evident in the way he interacts with Millie, self-assured in his love for her and her love for him. One would think that if this relationship with Chaz was so important to him, that there would be some sort of foreshadowing or hints regarding the feelings or issues that would have been bound to have sprung up as a result of Chaz and his abandonment.

I will concede here, Moxxie not wanting to talk about his past is a fine enough example of why Chaz wouldn't come up in conversation prior to this episode. However, if we as the audience are meant to believe that this relationship was that important to him, it would have been nice to add a hint of abandonment issues to Moxxie as a character.

This could also have had a possible added effect of explaining why Moxxie isn't so quick to leave Blitzø or I.M.P despite his treatment - Blitzø and Loona may be awful to Moxxie, but at least they don't abandon him. At least Blitzø throws crumbs of praise his way. At least Loona comes along with Millie to rescue him and Blitzø from the D.H.O.R.K.S.

Unfortunately, we're still not done here with the Chaxxie scenes, as the biggest and most glaring issue with this ship as a whole comes in at around the fifteen minute mark.

I'll start with the least consequential of my critiques - This scene is just not funny. The punchlines essentially amount to sex, big dick, and the mounting discomfort that Moxxie feels while he repeatedly insists that Chaz leave him alone. There are ways to comedically write a character being uncomfortable with sex or sexual implications/situations. Blatant harassment is not one of them.

Speaking of blatant harassment, this is the moment that any semblance of this ship being worth my time fell apart. The writing is done using Chaxxie as a ham-fisted attempt at giving Moxxie further backstory (at the cost of Millie once again) and is now beginning to decline into the outright uncomfortable.

Even before he begins his song, Moxxie outright tells Chaz to leave. Of course, Chaz completely disregards his demands to be left alone, insisting that he knows exactly what Moxxie wants. This is a common line used by real life sexual abusers against their victims - and yes, though Chaz never actually forces himself onto Moxxie in an explicit manner, his following song is filled with unwanted touch and crude, overtly sexual language.

Look me in the eyes and tell me that Moxxie is enjoying this experience even remotely. He looks put off, alarmed, uncomfortable. And yet this scene is played for comedy, for some reason. This is not the first instance of Moxxie being sexually abused or harassed for comedy either. Even back in Season One, this poor guy was being used for the sort of joke that should have died out years ago.

Overall thoughts on Chaxxie and their contribution to MLM representation.

Do I think Chaz and Moxxie are good queer representation? The easy, fast answer is a resounding "No". Their relationship lacks any sort of depth in canon and looks to be just another vehicle for gay sex jokes, partnered with yet another excuse to harass Moxxie for laughs.

On a slightly longer note, I find them not only to be lackluster representation, but yet another instance in the growing pattern of Vivziepop's achillean ships being either based on sex, or having a heavy emphasis on sex that isn't afforded to her sapphic or hetero pairings. This isn't to say that the other achillean ships don't have moments that are fluffier or not purely focused on sex (after all, Chaxxie is the worst offender of being a pairing based on nothing but sex from a writing standpoint), but the discrepancy between the amount of sex talk from Chaggie and Millie/Moxxie as compared to Fizzozzie, Stolitz and Chaxxie is stark.

It's hard to say exactly what goes on in the heads of the writers, and I am not here to speculate on what they may be thinking at all times. However, the writing behind Chaxxie as a pairing specifically (in the past or not) leaves a bitter taste in my mouth. The inclusion of Chaz does nothing to further Moxxie's character and seems more like a segue into making his bisexuality explicit, rather than taking the time to explore his attraction to men and past relationships meaningfully. Their past relationship is shallow at best, giving me no real reason to care about its end, and does a disservice to the already limited representation in Helluva Boss by painting yet another portrait of a lustful, but ultimately loveless feeling relationship.

[lacrimosathedark]

The Radioapple Haters™️ are at it again.

This time they're attacking shippers with the newly released Playbill.

There's so many issues with that. Beyond harassing people for ships is dumb.

This is what people are pointing at.

This is on the cast info page. It says Lucifer misses his wife.

So, three things about that.

Firstly, We Been Knew, babe.

His very first appearance, after his daughter says her parents split up, he's in a room covered in pictures of not just said daughter, but her mother too, and he's still wearing a presumed wedding band. If that's not "showing not telling" with a goddamn airhorn, idk how more clear it could get without Lucifer flat out saying he misses Lilith. So like...this is not new info. So there's nothing to really rub in. We knew this.

Secondly, this is in-character Lucifer saying this.

I'm not a professional, but when I was in high school performances, we wrote our own little Playbill bio info things. That seems to carry into professional ones too. If you can read the actual cast, some of the the actors less entrenched in the fandom culture have basically an IMDB of their relevant previous roles, while the ones you see at cons are more personable. Those were written by the actors. So, logically, the character bios are written as if by the characters. This could not be made more obvious.

So, logically, you can read that little above as Lucifer himself actually saying he misses his wife. Which leads me to--

Third, break-ups are messy and painful and Lucifer not moving on, unwilling to remove his ring or call Lilith his ex, doesn't mean they are still together. Hell, they could still even be technically married, doesn't mean they're still romantically entangled.

Look, I know the only seeming one-sided relationships in the show is Vox/Alastor and Adam/Lilith and every other "pair" are together or at least friendly (Chaggie, Huskerdust, Cherrisnake, Staticmoth, Guitarspear) but not every separation has to be a violent resentful split. Lucifer is explicitly Depressed™️ which can be hard for any partner to deal with, especially someone as ambitious as Lilith. It wouldn't be surprising if she, not even cruelly, thought she'd be more successful away from him even if he still loves her.

And all this is on top of the fact that most Radioapple shippers don't expect their ship to happen (some hope it does, some hope it doesn't, I'm personally neutral on the concept), and that a lot of writers and artists explicitly acknowledge and use Lucifer's love for Lilith in Radioapple because people love the drama.

I have several posts listing why one might ship Radioapple so I won't go off about it here, but suffice to say the entanglement between Lilith and Alastor and how the two are similar and different makes interacting with Lucifer interesting from any angle.

This also hurts me personally a bit because a lot of these people are Lucilith shippers and, yall, I'm one of you. I don't want them to get back together for many reasons, but I would love to see endless flashbacks of them obnoxiously in love. Most of my favorite works of fanart aren't even Radioapple, my primary ship, but Lucilith, in large part because of how adorable they are. How indulgent or smitten Lilith can look. How adorably excited or flustered or just happy Lucifer can be.

I love Lucilith. I adore Lucifer. I just also think his interactions with Alastor are funny and intriguing.

We don't need to hate each other. We can try to keep our little sandboxes separate, but we can play nice when we spill into each other, can't we?

I am really just so sick of the silly in-fighting. It costs zero dollars and zero energy to not be a dick. Need to type out a rant to get it out and off your chest? cool. But you can post it privately or delete it instead of going into peoples' ask boxes and and posts to be nasty. Not having the self control and wherewithal to not go out of your way to be a dick to people is honestly pretty pathetic. If you think you're so much better, prove it by being better, or being smug in your space. Making people feel like shit for a nonexistent fictional relationship does literally nothing for anyone and makes YOU look worse.

Dislike the ship all you want. No one cares either way. Just don't waste your limited time in this life making your distaste everyone else's problem.

[velnna]

i want to say, i ADORE the limb differences (other words for 'missing limbs' that i prefer to use) in the under garden, from the art of them that youve posted on here!! absints lower arm for example :)

i havent read yet, i havent been able to scrounge up the money to buy (hopefully soon!!) but im super excited to buy and read for many reasons, this among them!!

but just, seeing characters with limb differences who are still cool and important and often seem powerful.. it just gives me hope and makes me feel seen!! fantasy is my ansolute favorite genre, but im disabled and i havent found much fantasy stuff that includes disabled characters at All, i can count on one hand the amount of disabled characters ive seen in fantasy stuff :,)

i dont have a limb difference myself (degenerative disc disease and worsening hearing for me) but seeing ANY disabled character is just so lovely, it brings me joy :,) so thank you for including characters with disabilities!!!! it doesnt go unnoticed, and its heavily appreciated and wonderful to see!!

it also makes me curious, do you have any characters in the under garden who are disabled in other ways?? vision, hearing, mobility related conditions, etc? having just one type of disability repped is also amazing regardless of if you have others of course, im just curious :)

and if you ever need a disability-related sensitivity reader/info person based on lived experience for anything, if you ever make a post about it id definitely hit you up XD

have a lovely week, and i hope this ramble isnt too huge haha!

Thank you so much! I hope you enjoy it when you do manage to read it 🖤🖤🖤

The Under Garden has a couple of separate "storylines" with their own casts and we haven't set everything in stone for most of them, so take this with a grain of salt. Amongst primary and secondary cast, we have a couple of people with disabilities/chronic pain from injuries, medical complications, etc, some more explicitly shown than others. Technically Ashton, for instance, has a degenerative condition (loosely linked to the idea of butterflies having a very short lifespan after cocooning) and it's a big part of his role in the story overall

There's other instances of characters that could potentially have parallels to real world illnesses or disabilities but they're so intertwined with magical/fantasy mechanics that it's up to each reader to see how they feel about it.

Oh and we're toying with the idea of one of our main characters having a severe hearing impediment but it's a WIP because it might actually affect the plot

[rip-headphones-users]

My Headcannons for how Infected and Kasper operate

Buckle up, this is a long post. Thinking about how characters function in relation to the world around them is basically a hobby of mine, so expect more. (I have others planned for both lampert and unpleasant at the very least)

(Not ship related) (angst heavy sorry)

Kasper’s infection is a brain-rooted/cognito-hazardous parasite

He got it after purposely ignoring a chainmail curse, both as a sort of “fuck around and find out” as well as an outright form of self-harm/self-sabotage.

The parasite is the one that primarily controls all the conscious actions of infected, while kasper now acts sub-consciously.

Its less of a split-mind situation and more of a Venom + Eddie or Gundam + Pilot situation they are two separate entities inhabiting the same body that can potentially act at the same time

It just so happens that the parasite from the chainmail curse has VERY similar desires/interests/motivations to Kasper, so the host/parasite relationship actually works very well.

Infected accidentally makes Kasper lose a decent chunk of weight after it takes over, due to it not being able to feel when Kasper is hungry and forgetting to let him eat

Kasper and Infected can be addressed separately (Lampert, UnpleasantGradient, Folly and maybe a few others know this) and Kasper tends to choose not to respond due to his own apathy, instead opting to let Infected take the lead.

Being able to respawn/no permadeath on the regretevator is the reason why Kasper opted to infect himself, as he saw it as the next closest thing to death/suicide.

Allowing infected to enter his mind has radically reduced Kasper’s lifespan. (He’d be lucky if he made it to his late 30’s)

His nose bleeds when Kasper and infected try to act at the same time

Infected is only transferrable via chainmail

Infected doesn’t feel any of the bodily necessities that kasper has, so its not uncommon for him to collapse of exhaustion, dehydration, hunger, ect. If someone doesn’t remind him.

Infected doesnt feel pain either

Kasper feels it though. A lot.

In fact the whole process of infected entering his mind was incredibly painful as is.

Infected isn’t the reason why things in the elevator/on his own body suddenly lose their texture, neither of them know why that happens now.

They personally aren’t physically effected by it and both find it cool, so neither are bothered.

It’s probably just the result of infected’s malware (thats only technically supposed to effect machines) managing to attach itself to a human. Or maybe Kasper could do that and never previously knew. Who knows. ;)

Kasper/infected can phase through objects that are textureless, including parts of his own body. Anything else will collide as it normally would, and take damage.

Infected will always talk with full leetspeak, (L13k D1$) while Kasper will only have one letter/number substitution (L1ke Th1s)

UG unintentionally named infected that. Basically just looked at Kasper, who had just let a parasite into his mind, and looked at the chainmail virus on his computer, and it went “huh… Bro’s Infected”

Bro is, in fact, infected.

[yuri-is-online]

I feel like Octavinelle would all respond pretty well to you being lonely tbh

Azul: Bullied, lonely child? Only two friends made because he was "fun" enough and felt at risk of losing them? If you talk about being lonely he MIGHT bring up a contract, but I could also see your honesty being met by the most clumsy olive branch of him stammering that HE could be your friend... since hes so generous, of course (liar he wants a friend too)

Floyd: What?! That's no fun! Being lonely almost as bad as being bored! He kind of thrives on attention/entertainment so I feel like his solution is just to drag you wherever he goes. YOU have to be the one to say that no, you have to go to your own class not his.

Jade: While I do think he would be most manipulative if you told him you're lonely, I think it would be tame - akin to "hey eat this weird mushroom" or dragging you on a hike you are NOT experienced enough for as his "requirements" for companionship. He wouldn't stop hanging out if you refused, he really just likes seeing your reactions. I also don't think he'd ever kick you out of a room he's in, and he'd do his own thing while you do yours

I'm so glad you sent this because I was just thinking while I was settling to sleep that I had a lot more to say but was worried a separate post might be too much.

All Three

If there is one thing Twisted Wonderland does really well it's acknowledging the inhuman aspects of its characters. Malleus has so much magic he fails to solve problems without it, Ruggie has really sensitive hearing, Leona talks about smell a lot etc.

Point being the trio has a bunch of things they find weird about life on land. They're not really going to make fun of Yuu for feeling out of place. Assuming they don't trip and fall a whole bunch, that's just too easy.

They're technically new up here too yeah? Let them show you the ropes.

Azul

He's surprisingly soft with Yuu during events. Especially if you pick dialogue options that show intelligence or planning.

^ this happens if you get why he's selling salad cups I think?

^ and this one is if you assume you'll be using the bell of salvation to destroy the flowers

My one amendment to your idea is that I don't think he'd be shy about it at all. He'd be putting forward a show of confidence because of how he was slighted in the past. He would think your friendship was the most natural conclusion in the whole world.

Your smart. He's smarter. Together you could make some real magic! And maybe play some board games. He could use some time to relax.

Floyd

Completely right. I already talked a lot about him in my original answer, but I do think he enjoys hanging out with Yuu when he's in the mood to be social.

He's got all of that extrovert energy Idia's so afraid of, and if you start indulging him, you won't get to stop. I think he'd be really happy to have someone go along with what it is he wants to do no matter how outlandish it gets. Even better if you look like you're having fun!

I could see him say that you "owe him" for hanging out with you when he wants some of your food though.

Jade

Oh? You're lonely? What a shame. How horrible. Terrible really.

That must mean you'll have no problem signing up for his club right? Because that's very much what I could see him doing. He really wants another member to order arou- I mean enjoy the mountains with.

^ If you tell Epel you will be "Here for whatever [the team] needs." When he asks you to help run the Pit Stop, Jade immediately decides this means you will commit a crime for him. Which to be fair-

I would object to the bit about taking you on a hike you're unqualified for though. He tells you not to try climbing Mount Moln until you've done an easier one first.

Obviously I agree about the sketchy mushrooms. If he's brave enough to walk into the Culinary Crucible with them, what's Ramshackle?

Him coming to the Ramshackle guest room to sit quietly while you both do your own thing is something he'd really enjoy. You make much more interesting faces when he gives you a break from his teasing.